Reading this piece by Jon Del Arroz about alleged anti-male bias in SF&F made me think about two events of my life which bear on this issue. Jon’s point –and the numbers he presents seem to support his claim– is that there is an anti-male bias in some parts of the short story market (and probably also in others.) I think that’s plausible, and there are some obvious examples like Tor.com or Uncanny. However, the problem goes deeper than that, and the alleged anti-maleness may be just an unfortunate consequence of an even more indelible bias than merely avoiding stories by testosterone-poisoned individuals. Let me tell you about two things that happened when I was young, so you get an idea of what I’m talking about.
Yesterday, the Spanish online newspaper Crónica Global published an opinion piece about, of all the things, the Sad-Rabid Puppies Saga. It is an – interesting article, to say the least. It’s what you’d expect, really, but I was shocked by its vitriol. Although I guess that’s inevitable because, being something written for an audience that has probably never heard about the SP-RPs, one can get away with being ramblingly vicious or not bothering to source your claims. Lack of opposition, I guess.
This is the editorial of the last issue of Asimov’s Science Fiction Adventure Magazine, a short-lived magazine from late 1978 to late 1979. I guess he had no idea the magazine was going to be canceled since the subject of this editorial —even if interesting— is probably not about what one would write for a final issue.
Anyway, I liked his comment on how destroying a spaceship in words is as easy as doing anything else in words. That’s something many people who write as if they were filming a movie (or a video game) usually forget.
This is the third editorial [first and second] of Asimov’s Science Fiction Adventure Magazine, a short-lived magazine with only four issues (from late 1978 to late 1979,) where the famous writer explained his understanding of adventure, science fiction, fantasy, and their place in the current scientific era.
His thesis is that there is an important abyss between the pre and post scientific understanding of the world, especially concerning the problem of how to manipulate the universe or to make it work for us. He isn’t wrong, though, but I’d really like to know what was his opinion about writers like Jack Vance, who were aware of that pre and post scientific chasm but consciously played around it to undermine it and mix the different worldviews. Unfortunately, I have never come across any suggestion that Asimov knew or cared about Vance.
When reading Asimov’s editorials on adventure I got the impression that he probably would have wanted to write more of them, perhaps thinking the magazine was going to last longer. A certain idea or thesis seemed to be developing on those pages, one about the place of adventure in literature, its relationship with science fiction, and so on, but sadly we’ll never know if it had a conclusion.
Besides sporting imposing sideburns and writing a few books, Isaac Asimov also lent his name to various magazines and products. One of them, mostly unknown compared to the more familiar Asimov’s Science Fiction magazine, was Asimov’s Adventure Science Fiction Magazine. Unfortunately, it was a short-lived publication, with only four issues between late 1978 and late 1979.